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Sound perspective in my previous work

  • May 17, 2018
  • 1 min read

Using sound and music in a way that you come closer towards someone's perception is very important for me. I use music, but during shooting I always start with sounddesign ideas and developing them together with the sounddesigner. I search for ways to incorporate the sounds we find on the 'set' in the music. So it starts the rhythm and feels less alienated from the location.

 
 
 

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​Rather than seeking definitive answers, the Dis_embodied Project stages experiential inquiries. Through artistic research-driven experiments, we create spaces where participants confront the instability of embodiment and reconsider the foundations of identity. If believing one does not exist can alter who one is, then the body is not merely a vessel but an active co-creator of selfhood. By investigating the limits and thresholds of embodiment, we aim to expand existing knowledge and invite new forms of dialogue between art, science, and lived experience—before the question of living without a body becomes no longer speculative, but real.

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© Marleine van der Werf

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